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Hungarian Theatre in Transition - Between Art and a Struggle for Power
By Anna Breitling
Who Controls the Stage? The Situation of Hungarian Theatre in Analysis and an Interview with Theater Historian Zoltán Imre Budapest. Both, the Hungarian Újszínház (New...
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“The truth is the best picture, the best propaganda.” - The Moment of Death in Robert Capa’s Photography and the Construction of Photographic Truth
By Anna Breitling
Robert Capa is regarded as an icon of war photography, and his photograph “The Falling Soldier” serves as the starting point for a debate on...
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“Denial of guilt and the reversal of perpetrator and victim roles, along with revisionism, were among the cornerstones of the Orbán governments”
By Anna Breitling
Magdalena Marsovszky on Hungarian historical politics at the House of Terror in Budapest Budapest. The Terror Háza Múzeum (“House of Terror”) describes its cultural significance...
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“Authoritarian societies do not like real art, only kitsch.” Author Krisztina Tóth on Orbán, the power of propaganda, and the role of literature in resistance.
By Anna Breitling
The oeuvre of Hungarian writer, poet, and translator Krisztina Tóth, born in Budapest in 1967, includes poetry collections, novels, short stories, children’s literature, and stage...
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